There is a lot to say about SZA; she is sort of R&B in a way that The Weeknd is R&B. I have previously referred to her as female version of Tom Krell, that still holds when considering her earlier releases, like the beautiful “Country” which builds on a clear yet subtle Empire Of The Sun sample. “Ice.Moon” was a track that certainly got my attention and after that there was no doubt of what a wonderful gifted musician she is. Her second EP S, released earlier this year, further substantiated this impression. The EP included the brilliant “Aftermath”, which sound and production wise could’ve easily fitted on Miguel’s Kaleidoscope Dreams, and the first version of “Castles” that contained a sample from Fleetwood Mac’s “Everywhere”. The track was later unfortunately taken down, almost certainly due to legal concerns. No matter, a new version is up now and it’s almost equally good. Up to that point, everything she’s done seemed effortless, filled with quirky creativity yet very much rooted in pop.
Yesterday it was announced that SZA signed to TDE (Top Dawg Entertainment), home of Kendrick Lamar, Schoolboy Q and Jay Rock to name a few. So we don’t have to worry, she’s in good company. In addition to the announcement, a new Felix Snow and Dave Free produced track was premiered titled “Julia”. It is by far her most pop oriented to date, working almost like an 80’s R&B-pop (think Janet Jackson and you’re not far off), and even though it’s a bit less effortless and experimental, it’s just as good as anything she’s released beforehand (and as usual, the album cover is strikingly beautiful).
“Julia” is expected to be a part of her next EP titled Z.